Jessie Reyez Refreshes Cline and Nelson’s Iconic Track ‘Crazy’
Toronto’s Jessie Reyez does justice to the Patsy Cline and Willie Nelson classic “Crazy” and inflicts a soulful and similar shade of pain that Cline belted out in 1961.
Toronto’s Jessie Reyez does justice to the Patsy Cline and Willie Nelson classic “Crazy” and inflicts a soulful and similar shade of pain that Cline belted out in 1961.
Russian Baths return with a noise rock chiller “Responder.”
LOVER’s latest single “Starving” features articulate layers and instrumentation giving us a first taste of the Australian artist’s debut EP.
Composed to the unrestrained infliction of emotions that arrived after the last lit of a cigarette, The Criticals’ latest track takes us back to the dance floor.
Nobody’s Baby follow-up their debut with a surf-punk cut that screams with juvenile cries.
Brisbane based producer, Golden Vessel, continues a successful U.S. journey bringing his articulate live set to cities across the country. Joined by Instupendo and The Nicholas, Golden Vessel brings his debut performance to Los Angeles on July 26th.
sobhhï returns and flexes on his neo-noir visual, “2019 freestyle.”
Miesa dives into the things left unsaid after a heartbreak on her silky R&B single, “Unsaid.”
Aggressively cut on garage rock shards, post-punk lines, and a noisy charm, come Birthday Girl’s video for their latest single “I Came Here To Eat” via Sweet Cream Records.
Swimming in the self-carved genre of “incorrect music,” Brooklyn avant-pop ensemble Arthur Moon deconstructs pop for a refreshing restitution of marriage between messaging and sound
LA’s WASI return with an empowering new single and tour ahead of their anticipated new album.
OC’s Indigo State share their contemporary and progressive track “Time After Time,” filled with jazz and an unrestrained philosophy.