Swimming in the self-carved genre of “incorrect music,” Brooklyn avant-pop ensemble Arthur Moon deconstructs pop for a refreshing restitution of marriage between messaging and sound
An admonitory heartbeat is the first taste of Molly Moore’s grieving process on her latest single “i love you but i don’t like you.”
Oakland-based duo Shutups palpitate from their indie-punk threshold to the confinements of garage rock on their latest single “Cement Hands.”
Hallam London delivers a sarcastic take on homophobic claims on his synth-pop anthem, “Run For Your Life.”
Sakura cruises through bright, indie-pop chords as she falls into infatuation on “Lovesick.”
Cat Clyde shares her third single of 2019, a musical memento mori.
Palehound explores insecurities and has an open dialogue on “Worthy” video.
LA’s The Altons return with a perfect offering for summertime, “I’ll Be Around.”
Sorry Party, formerly known as Ned and The Dirt, subdue to a new moniker and outlook of life on their A/B single ahead of their full-length album.
Winnetka Bowling League capture hearts on their pastel-pop single “Slow Dances” taken from their forthcoming EP, ‘Cloudy With A Chance Of Sun,’ due April 26th via RCA.
Crow reminds all what is on the other side of fear on her single “Go.”
Birch speaks up on sexist behavior from the past on her indie track “Spelling Lessons.”
